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Iconic Beach Girl

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Iconic Beach Girl

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Ooh-la-Los Angeles! Brigitte Bardot, or BB as she became regarded, or even just ‘Bardot,’ almost invented the bikini. More than that fateful two-piece garment, she invented an entire niche industry for fashion, press, and movies, representing an untapped age phase that was overlooked and unknown until her look on the duvet of Paris mag Elle in 1950 at age sixteen.

The global of young adults.

It sounds prettier in French- the unexplored canvas of fewer Jeunes files or the ‘younger women.’ Up until this factor in time, only girls or youngsters were so portrayed through the media–there has been no style or magazines devoted to teens–there have been best grown-up married girls in tweedy Chanel suits and crisp Dior blouse-waisted dresses or obese, pink-cheeked college ladies in serge uniforms of navy and grey. No pubescent women like Bardot at the beach in a Hawaiian print bikini!

(Cannes Film Festival 1953)

Even Nabokov’s tale of an infant woman, Lolita, who seduces a much older guy, might no longer be written (or banned) for five years! BB created a personal style, a look that overtook the formality and heavy creation of the Parisian couturier’ New Look’. Barefoot, bikini-clad, her wild, tangled mane of hair as energetic as a Camargue horse’s tail –she exuded insouciance, freedom, and carefree-ness, juxtaposed alongside aching, budding sexuality. Let’s put it this manner–she becomes intercourse on legs.

And she dressed like that. Like a jeune fille, a teenager– although there was no template for dressing like one at that time. An easy, fitted camisole-cotton sundress, a stripey sailor’s tee exposing each shoulder (now known as a Bardot neckline), boy shorts, Capri trousers–continually girlie, flirty, by no means lewd, but informal, and usually ordinarily barefoot–constantly unstudied and flung-collectively. She looks to become the other of, say, someone like the divine Miss Dita von Teese, whose every ensemble is a creative excursion de force of planned fashionable sexuality.

Bardot, with her nubile, seductive, and natural sensuality–encased by way of her complete, evidently pouty bee-stung lips, bed hair, perfectly erect posture from her education as a ballet dancer, and her proportionately, womanly curves–precipitated anger, unrest, arrests, occasion threats of immorality– while she turned into launched onto a larger screen in her husband Roger Vadim’s 1956 film And God Created Woman.

Bardot, cast because of the voracious, sexually wanton Juliette, has become a cause celebre and went from jeune fille to God’s gift to Men. Her carioca dance scene in which she drives the three principal male characters into an erotic frenzy has emerged as a defining moment in cinematography. The editor of Paris-Match sentenced her to be ‘immoral from head to toe.’ Of course, all this furor and clamor to ban her did change into raising and selling her status to a good, better pedestal–that of a budding sex goddess!

Bardot went directly to make more than 50 films before retiring. She flew to her cherished beaches of St. Tropez at age 39, devoting herself to animal and political reasons. She eschewed the glitz and artifice of high style, make-up, plastic surgical operation, and the spotlight, alternatively choosing to comply with her desires and pleasures in her phrases.

Todd R. Brain

Beeraholic. Zombie fan. Amateur web evangelist. Troublemaker. Travel practitioner. General coffee expert. What gets me going now is managing jump ropes in Africa. Had a brief career working with Magic 8-Balls in Libya. Garnered an industry award while analyzing banjos in Prescott, AZ. Had moderate success promoting action figures in Pensacola, FL. Prior to my current job I was merchandising fatback in the aftermarket. Practiced in the art of importing gravy for no pay.

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